{"id":1419,"date":"2023-07-20T10:59:24","date_gmt":"2023-07-20T08:59:24","guid":{"rendered":"https:\/\/migract.msh-vdl.fr\/?page_id=1419"},"modified":"2026-02-07T15:34:52","modified_gmt":"2026-02-07T14:34:52","slug":"diala-brisly","status":"publish","type":"page","link":"https:\/\/migract.msh-vdl.fr\/?page_id=1419","title":{"rendered":"Diala Brisly"},"content":{"rendered":"\t\t
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Diala Brisly est n\u00e9e en 1980. Elle a fui la Syrie en 2013. Son travail d’illustratrice pour le magazine Zayton and Zaytonah voulait avant tout aider les enfants \u00e0 se sentir humain \u2013 pas juste destin\u00e9s \u00e0 grandir, \u00e0 combattre et \u00e0 mourir pour une guerre qui les d\u00e9passe. Le magazine a \u00e9t\u00e9 interdit. Diala est maintenant en France et continue \u00e0 travailler au dialogue entre les cultures.<\/p>

Elle publie des albums pour enfants et collabore avec des organisations internationales d’aide aux refugi\u00e9s. Elle expose ses \u0153uvres et m\u00e8ne des ateliers avec des enfants, des \u00e9tudiants… Ses toiles r\u00e9alis\u00e9es en atelier et sont envoy\u00e9es au Liban pour les enfants du camp de Bar Elias dans la r\u00e9gion de la Bekaa.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Diala Brisly e a \u00e9t\u00e9 invit\u00e9e par l’INSPE-CVL \u00e0 exposer ses oeuvres et \u00e0 mener des atelier avec les \u00e9tudiants en\u00a0mars 2020<\/span>. L’une de ses Images choisie par l’INSPE-CVL pour ses voeux 2021 et promouvoir son engagement pour le vivre ensemble.<\/span>\u00a0<\/p>

\"\"<\/a>\u00a9 Brisly – Unpublished (<\/span>2014) copic marker & ink<\/p>

\u00a0C’est l’histoire d’un gar\u00e7on qui est en classe et qui parcourt le monde en imagination <\/span>[\/caption]<\/p>

\u00ab\u00a0Diala Brisly is an amazing artist and activist from Syria whose work focuses on \u00a0every day lives of migrant women and children. Her illustrations and animations are political and she has been blacklisted in her country. She uses art as a voice to promote education and give refugees a say about what is happening around them. She makes them use their imagination as an escape route. But she also works with French students to bring more awareness on migration. Her aim is to discuss the power of art as a communication tool, overcoming borders and cultural differences. According to her : ‘When you can\u2019t ‘speak up’ or don\u2019t understand the other, art comes as a proper mean to communicate and share on social, environmental or political urgencies.’ \u00ab\u00a0<\/em>\u00a0(LTMI student, University of Orleans, 2021<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\u00a0<\/p>

presentation – \u00ab\u00a0Diala Brisly – Cultural narratives\u00a0\u00bb<\/a><\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Diala Brisly, The Best Way to Build is Education<\/em> (2019), Illustration originale de l\u2019album Se chiudo gli occhi<\/em> <\/a>with Francesca Mannocchi, ed. Round Robin, 2018 \u00a9 INSPE-CVL<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Sites en lien avec le travail de Diala Brisly :<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tLive In Perspective<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\t\n\t\t\t\t\t\t\t\t\tSe chiudo gli occhi<\/span>\n\t\t\t\t\t<\/span>\n\t\t\t\t\t<\/a>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
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Diala Brisly est n\u00e9e en 1980. Elle a fui la Syrie en 2013. Son travail d’illustratrice pour le magazine Zayton and Zaytonah voulait avant tout aider les enfants \u00e0 se sentir humain \u2013 pas juste destin\u00e9s \u00e0 grandir, \u00e0 combattre et \u00e0 mourir pour une guerre qui les d\u00e9passe. Le magazine a \u00e9t\u00e9 interdit. Diala … <\/p>\n

Continuer la lecture de « Diala Brisly »<\/span><\/a><\/p>\n","protected":false},"author":5,"featured_media":0,"parent":306,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_mc_calendar":[],"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"class_list":["post-1419","page","type-page","status-publish","hentry"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/pages\/1419","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1419"}],"version-history":[{"count":47,"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/pages\/1419\/revisions"}],"predecessor-version":[{"id":3506,"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/pages\/1419\/revisions\/3506"}],"up":[{"embeddable":true,"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/pages\/306"}],"wp:attachment":[{"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1419"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}