{"id":387,"date":"2021-01-02T19:52:29","date_gmt":"2021-01-02T18:52:29","guid":{"rendered":"https:\/\/migract.msh-vdl.fr\/?page_id=387"},"modified":"2022-11-26T16:26:52","modified_gmt":"2022-11-26T15:26:52","slug":"ressources-biblio-webographie","status":"publish","type":"page","link":"https:\/\/migract.msh-vdl.fr\/?page_id=387","title":{"rendered":"Ressources &#8211; biblio- webographie"},"content":{"rendered":"<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\">\n<div class=\"\"><strong>Observatoire de la Migration de Mineurs &#8211; OMM <\/strong><\/div>\n<div class=\"\"><strong>IR CNRS- MIGRINTER- Universit\u00e9 de Poitiers<\/strong><br class=\"\" \/><a href=\"https:\/\/o-m-m.org\/index.php\/2021\/04\/26\/entretiens-filmes\/\">Entretiens video Migration Positive<\/a><br class=\"\" \/><a href=\"https:\/\/o-m-m.org\/index.php\/2021\/04\/26\/serie-de-podcasts-sur-lexperience-mutuelle-de-lhospitalite\/\">Podcasts Migration Positive<\/a><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<figure id=\"attachment_436\" aria-describedby=\"caption-attachment-436\" style=\"width: 823px\" class=\"wp-caption alignnone\"><a href=\"https:\/\/migract.msh-vdl.fr\/wp-content\/uploads\/2021\/01\/deviance.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"wp-image-436 size-full\" src=\"https:\/\/migract.msh-vdl.fr\/wp-content\/uploads\/2021\/01\/deviance.jpg\" alt=\"\" width=\"823\" height=\"599\" srcset=\"https:\/\/migract.msh-vdl.fr\/wp-content\/uploads\/2021\/01\/deviance.jpg 823w, https:\/\/migract.msh-vdl.fr\/wp-content\/uploads\/2021\/01\/deviance-300x218.jpg 300w, https:\/\/migract.msh-vdl.fr\/wp-content\/uploads\/2021\/01\/deviance-768x559.jpg 768w\" sizes=\"(max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/a><figcaption id=\"caption-attachment-436\" class=\"wp-caption-text\">\u201cDeviance is a collection of conditions, persons, or acts that society disvalues, finds offensive, or condemns.\u201d (Clinard &amp; Meier, Sociology of deviant behavior, 2010, p. 6).<\/figcaption><\/figure>\n<h4><span style=\"color: #993300;\">Ressources p\u00e9dagogiques\u00a0<\/span><\/h4>\n<p><strong>jeu et malette p\u00e9dagogique Migr&rsquo;ART:<\/strong> <a href=\"https:\/\/www.urmis.fr\/migrart-un-serious-game-et-une-malette-pedagogique-sur-les-questions-migratoires-au-mexique\/\">serious game Migr&rsquo;Art<\/a><\/p>\n<h4><span style=\"color: #993300;\">Socially productive artistic practices<\/span><\/h4>\n<h6><a href=\"https:\/\/www.culturalagents.org\/\">Cultural Agent<\/a>: on \u00ab\u00a0combining arts and research in the service of civic development\u00a0\u00bb<\/h6>\n<h6><a href=\"https:\/\/www.dit.ie\/media\/newsimages\/2018\/Pretexts_Info_Flyer_2018.pdf\">Pre-text<\/a>: presentation by <a href=\"https:\/\/www.youtube.com\/watch?v=_GjBLZ9bzrs\">Doris Sommer<\/a><\/h6>\n<h6><a href=\"https:\/\/reshape.network\/\">REshape<\/a>: on \u201creshaping the value of art in the social fabric\u201d<\/h6>\n<h6><a href=\"https:\/\/www.open.edu\/openlearn\/history-the-arts\/visual-art\/who-are-we-project-about-art-migration-politics-and-identity\">Who are we?<\/a> A project about art, migration, politics and identity<\/h6>\n<h6><a href=\"https:\/\/pressplay2019.wordpress.com\/\">PRESS PLAY 2019<\/a>: on \u00ab\u00a0creativity and research practices\u00a0\u00bb<\/h6>\n<h6><a href=\"https:\/\/nle.hypotheses.org\/6064\">non lieux DE L\u2019EXIL<\/a><\/h6>\n<p><strong><em><a href=\"https:\/\/www.zeltschule.org\/\">Zeltschule<\/a> <\/em><\/strong>(director Jacqueline Flory)<\/p>\n<h4><span style=\"color: #993300;\">Methodologie de recherche<\/span><\/h4>\n<ul>\n<li>\u00ab Crocage de langue \u00bb : approche sensible (Anne Marie Dinveau)<\/li>\n<li>Herv\u00e9 Breton, <i>L\u2019Enqu\u00eate narrative en sciences humaines et sociales<\/i>, Paris, Armand Colin, 2022<\/li>\n<li>G. Guetemme \u201cUsing art to explore the heuristic experience of migration of refugee children\u201d, in <i>Social Work<\/i><\/li>\n<\/ul>\n<p><i>Research Using Arts-Based Methods<\/i>, ed. Ephrat Huss &amp; Eltje Bos, Bristol, Policy Press, 2022, p. 102-116.<\/p>\n<h4><span style=\"color: #993300;\">Art et migration<\/span><\/h4>\n<h6 class=\"css-1uvwfp1 e1h9rw200\" data-test-id=\"headline\"><a href=\"https:\/\/www.nytimes.com\/2018\/06\/19\/t-magazine\/immigration-art.html\">13 Artists On: Immigration<\/a> &#8211; by <span class=\"css-1baulvz last-byline\" style=\"font-family: NonBreakingSpaceOverride, 'Hoefler Text', Garamond, 'Times New Roman', serif; letter-spacing: normal; font-size: 21px;\">Zo\u00eb Lescaze, <\/span><time class=\"css-11obojo e16638kd0\" datetime=\"2018-06-19T05:00:18-04:00\">June 19, 2018<\/time><\/h6>\n<ul>\n<li>Karen Barbour, <em>Dancing across the page<\/em>. Chicago, University of Chicago, 2011.<\/li>\n<li>Nilgun Bayraktar, <em>Mobility and Migration in Film and Moving Image Art: Cinema Beyond Europe, <\/em>London, Routledge Advances in Film Studies<em>,<\/em><\/li>\n<li>\u00a0Gabriele Brandstetter, Gerko Egert, <em>Movements of Interweaving: Dance and Corporeality in Times of Travel and<\/em> Migration, London, Routledge Advances in Theatre &amp; Performance, 2018.<\/li>\n<\/ul>\n<ul>\n<li>David Elliott, Marissa Silverman, and Wayne Bowman, <a class=\"title\" href=\"https:\/\/oxford.universitypressscholarship.com\/view\/10.1093\/acprof:oso\/9780199393749.001.0001\/acprof-9780199393749\">Artistic Citizenship: Artistry, Social Responsibility, and Ethical Praxis<\/a>, Oxford Scholarship Online: October 2016<\/li>\n<li>Eliott Eisner, \u201cOn the differences between scientific and artistic approaches to qualitative research\u201d, in <em>Educational Researcher, 10<\/em>, 5\u20139, 1981.<\/li>\n<li>Emine Fisek,\u00a0<em>Aesthetic Citizenship: Immigration, Theater, and Embodiment in Twenty-First Century<\/em> <em>Paris<\/em>, Performance Works,<\/li>\n<li>Janinka Greenwood, \u201cArts-based research: Weaving magic and meaning\u201d, in <em>International Journal of Education &amp; the<\/em> <em>Arts, 13 <\/em>(Interlude 1), 2012.<\/li>\n<li>Alison Jeffers, <em>Refugees, Theatre and Crisis: Performing Global Identities<\/em>, London, Palgrave Macmillan 2012.<\/li>\n<li>Philipp Kasinitz &amp; Marco Martiniello (Dir.), <em>Music Migration and the City A Transatlantic Dialogue <\/em>New York, London, Routledge Ethnic and racial studies. 2019<\/li>\n<\/ul>\n<ul>\n<li>Shawn McNiff, <em>Art-based research<\/em>, London, Jessica Kingsley Publisher, 1998.<\/li>\n<li>Catherine Mazauric, <em>Mobilit\u00e9s d\u2019Afrique en Europe : r\u00e9cits et figures de l\u2019aventure<\/em>, Paris, \u00c9ditions Karthala,<\/li>\n<li>J\u00fcrgen M\u00fcller, \u201cVers l&rsquo;interm\u00e9dialit\u00e9 : histoires, positions et option d&rsquo;un axe de pertinence\u201d, <em>Mediamorphose<\/em> <em>n<sup>o<\/sup><\/em>16, 2006.<\/li>\n<li>Parvati Nair,<em> Migration Across Boundaries: Linking Research to Practice and Experience<\/em>, Farnham, Ashgate Publishers, 2015.<\/li>\n<\/ul>\n<ul>\n<li>Monica Pentassuglia, \u201cThe Art(ist) is present\u201d: Arts-based research perspective in educational research, in <em>Cogent Education<\/em>, 4:1, 2017.<\/li>\n<li>Robert J. C.\u00a0Young,\u00a0<em>Colonial Desire: Hybridity in Theory, Culture and Race<\/em>, London, Routledge, 1995.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Observatoire de la Migration de Mineurs &#8211; OMM IR CNRS- MIGRINTER- Universit\u00e9 de PoitiersEntretiens video Migration PositivePodcasts Migration Positive Ressources p\u00e9dagogiques\u00a0 jeu et malette p\u00e9dagogique Migr&rsquo;ART: serious game Migr&rsquo;Art Socially productive artistic practices Cultural Agent: on \u00ab\u00a0combining arts and research in the service of civic development\u00a0\u00bb Pre-text: presentation by Doris Sommer REshape: on \u201creshaping the &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/migract.msh-vdl.fr\/?page_id=387\" class=\"more-link\">Continuer la lecture<span class=\"screen-reader-text\"> de &laquo;&nbsp;Ressources &#8211; biblio- webographie&nbsp;&raquo;<\/span><\/a><\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"_mc_calendar":[],"footnotes":"","_tec_slr_enabled":"","_tec_slr_layout":""},"class_list":["post-387","page","type-page","status-publish","hentry"],"ticketed":false,"_links":{"self":[{"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/pages\/387","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=387"}],"version-history":[{"count":27,"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/pages\/387\/revisions"}],"predecessor-version":[{"id":1055,"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=\/wp\/v2\/pages\/387\/revisions\/1055"}],"wp:attachment":[{"href":"https:\/\/migract.msh-vdl.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=387"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}